Posted: 22 Oct 2013 06:00 PM PDT
Portland record store and label Beacon Sound will be releasing a collaborative album by Peter Broderick (Efterklang) and Gabriel Saloman (Yellow Swans) in early 2014. This is the first time these two artists have worked together, despite sharing deep Portland roots as well as labels like Type and Mort Aux Vaches. They’ll be recording at Type Foundry Studio (Decemberists, Grails, Glass Candy) with audio engineer Jason Powers. There is a Kickstarter campaign happening right now to fund the vinyl edition of the album; it’s running for another week and is currently over 60% funded.
Peter Broderick is a multi-instrumentalist who grew up in Carlton, Oregon and played with Portland groups such as Horse Feathers and Loch Lomond. In 2007 he was invited to work with Danish group Efterklang (currently signed to 4AD) and moved to Berlin. Over the course of the last six years he has released several acclaimed solo albums on labels such as Type and Erased Tapes, collaborated with the likes of Machinefabriek and Nils Frahm, and traveled the world with Efterklang, who debuted their most recent album Piramida with the Sydney Symphony Orchestra at the iconic Sydney Opera House in May 2012.
Vancouver-based Gabriel Saloman was one half (with Pete Swanson) of influential noise duo Yellow Swans. Their prolific run of albums, EP’s, collaborations, and world tours culminated with the incredible Going Places on Type Records. He is also an accomplished artist and has been exhibited at the Walker Center, California College Of The Arts, and the Manifesta biennial in Murcia, Spain. His excellent debut solo album ‘Adhere’ (on Berlin label Miasmah) has garnered rave reviews.
check out the new adu website for the build of a little home in portland
Initially chosen because I thought that it would be explanatory and literal I found that it was much deeper upon reading. While architecture was covered broadly, there was emotion in the words and descriptions of what home means to the occupants and how their homes interact with the world.
My favorite portion perhaps was the interview with the architect John Pawson on the building/remodeling of his own home in London.
How about lighting? It’s all concealed is it?
- Yes, it’s nice not to see the fittings. It’s hugely important for atmosphere. There’s lots of lighting in coves so it washes the walls and it’s also concealed above and below the benches. I only put downlights in restricted spaces where they’re framed so they’re not loose on the ceilings like showers. It makes it difficult to light the table if you do that – that’s the problem. We use candles. When you talk about having a vocabulary or certain givens, the walls are white, floors are usually stone or wood or concrete, lighting is concealed, storage is made to disappear. – John Pawson
And this quote from the book – “In some cases, house and site are one and the same thing. Site is also context in a broader sense. What’s outside the front door? A road, a lawn, a driveway? Houses are the building blocks of streets, suburbs, towns and cities, woven into countless patterns of habitation.”
Published by Conran in conjunction with Design Museum, the worlds leading museum devoted to contemporary design.
We are in our 9th month of the extensive remodel of a 1969 home on the ocean in Manzanita, Oregon.
The very slightly pitched flat membrane roof is on, Kolbe CVG fir interior and clad exterior windows were installed, the ipe soffits are up, copper flashing is on, wood burning rais fireplace is in, electrical, sound system wiring, rough in plumbing, insulation is done, the radiant floor heat is being installed, the deck framing is up, sauna and outdoor shower has been framed out and the ipe siding is about to commence. The home is starting to take shape in it’s appearance. An absolute jewel box it will be.